18th C. Printdrawings around Ploos Van Amstel:
Bernard Schreuder

 

Ploos Van Amstel               Jurian Cootwyck              Bernard Schreuder            Johannes Körlein       Cornelis Brouwer  

Cornelis Ploos Van Amstel  (1726-1798)

Cornelis was a very successful entrepreneur and that allowed him to become one of the most important art collectors from the Netherlands. Besides collecting drawings he was also interested in the scientific aspect of print making and experimented constantly in seeking new techniques to make etchings in a drawing alike style that reproduced his important collection. He experimented with printing in colour from several plates. He can be called a real inventor and brought the technique of printing to a new level. His working methods have been revealed by Th. Laurentius and catalogued in the work 'Cornelis Ploos van Amstel' Kunstverzamelaar en prentuitgever, published in 1980.

He worked with other printmakers who were obliged to keep the newly invented techniques secret. Some of his assistants include Bernard Schreuder, Elisabeth van Woensel, Cornelis Buys, Cornelis Brouwer. His printer was Johannes Körlein. Son-in-law of Cornelis Troost

Bernard Schreuder (active for Ploos between 1767-1778 - died 1780)

Ploos van Amstel hired schroeder in 1767 with the terms that he had to be discrete about the secret techniques he learned from the master. After several rejected proof states, only in 1774 after 7 years, the first etching entirely done by Schreuder was published. In 1778 the cooperation between Van Amstel and Schreuder ended as Schreuder became more and more arrogant and difficult. Schreuder then continued to make print drawings and published his own collection of print drawings to set foot against his former employer.

The prints by Schreuder below do not belong to the 'Ectypa' by Ploos
 it are works made besides this or after his cooperation with Ploos ended.

GEZELSCHAP IN DE DUINEN
Company in the dunes

Reference:
Reference: Van Huffel 44.       11,50 by 17,50 cm
Signed J.E. bottom right
Wrong pencil attribution to Van Everdingen (?) on the backside.

Design: Jacob Esselens (1628-1687)
Engraver: Bernard Schreuder (Active 1767-1778, died 1780)

Technique:

Etching of the lines and tinted by the roulette. The etching is printed in sepia brown

STAANDE MAN MET KRUIK
Man standing with a Jug

Reference:
Rijksmuseum Amsterdam Inv. Nr. RP-P-OB-24.721
Wrong pencil attribution too Cootwyck on the backside.

Design: Two possibility's:
Cornelis Dusart (1660-1704)
Pieter Van Bloemen (? - 1720)

Engraver: Bernard Schreuder (Active 1767-1778, died 1780)

Technique:

Roulette or transfer printed in Brown-Red

PUTTI WITH GRAPES AND AN URN

Rare !

Reference:
Van Huffel 181               8 by 12 cm
'De Wit' annotation in Pencil on the backside.

Design: Jacob De Wit (1695-1754)

Engraver: Bernard Schreuder (Active 1767-1778, died 1780)

Technique:
Etching of the lines and tinted by the roulette roulette. Printed in Grey-brown ink.

A FAMILY BEFORE THEIR HOUSE WITH A BABY AND A DOLL

Rare in this uncoloured state!

Reference:
Signed AVO.     10 by 8,80 cm
After the Ostade drawing done in 1679

Drawer
: Adriaen van Ostade (1610-1685)
Engraver: Bernard Schreuder (Active 1767-1778, died 1780)

Technique:

Etching and Roulette. Printed in grisaille.

This print dates from between 1778 and 1780. It made part of the collection  he made to ago against his former employer. Here it is before the hand colouring what is rare to be found.

RUSTENDE RUITER NAAST ZIJN PAARD
Resting horseman besides his horse


Reference:
Attribution to Schreuder based on expert help
Former pencil attribution to Cornelis Van Noorde (1731-1795)

Design:
Philips Wouverman (1619-1668)
Engraver: Bernard Schreuder (Active 1767-1778, died 1780)

Technique:
Etching and Roulette. Printed in grisaille


 

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