Fifteen from a series of sixteen plates.  The date of the set remains discussed.
Lieure considers the plates were engraved at different dates, but that the majority still belong to the Florentine period (1611-21): he dates thirteen of them (the ones representing the same character twice) from 1617. He also notes that the backgrounds added in the second state of those thirteen plates are technically similar to those executed after Callot's return to Nancy and, despite arguing that Callot is named as 'Iacopo' on the frontispiece (a signature, Lieure says, Callot stopped using from 1618, when he started signing as 'Iacomo'), concludes that the backgrounds as well as two plates (Lieure 404, 405) and the frontispiece were executed after Callot's return in Nancy (1621). In Lieure's argument, the first thirteen plates of 'Varie Figure' appear like a first try announcing the 'Caprices' set (c.1617). Ternois (see catalogue of the exhibition 'Jacques Callot', Nancy, 1992, No. 285-300) disagrees, noting that in no way 'Varie Figure' can be presented as an experiment technically inferior to 'Caprices': the manner is bold, controlled, and the drawings related to the set are more naturalistic than mannerist, thus contrasting with the figures in 'Caprices'. He therefore sets the execution of 'Varie Figure' after Callot's return in Lorraine in 1621. Meaume dates the whole set from 1623.